(Some studios, such as Paramount and Universal, allowed the same code to redeem a digital copy on both iTunes and UltraViolet, which opened up options but was still essentially owning the movie twice in two different spots, even if it were free). In many cases, especially for families, this could lead to inadvertently buying the same content again without realizing you had it on a different service. So you could have some movies on iTunes and some on Flixster and no means to visit one site to gauge your entire library. This could lead to some eclectic digital collections, as some studios began offering digital copy only through UltraViolet. In essence, while you could buy almost any content from any retailer, you could only watch it across platforms depending on the interconnectivity deals they had in place. ![]() Neither did Disney, which launched its own, proprietary Disney Movies Anywhere service, which was compatible with iTunes. Apples’ iTunes, one of the biggest retailers of digital content, did not sign up. The content itself would be stored in the cloud, and UltraViolet accounts would give consumers the rights to access the content whenever they wished from affiliated websites and apps such as Flixster, CinemaNow or Vudu.īut, there were significant gaps in the service. After it launched in 2011, UltraViolet became primarily associated with the code included with Blu-rays and DVDs that allowed consumers to have a free digital copy of a movie or TV show with the purchase of the physical disc. The concept behind UltraViolet was to give consumers more choices in playing back their digital content by linking several digital retailers. The introduction of Movies Anywhere, an expansion of the Disney Movies Anywhere platform to include four more studios, is the most significant advancement of the promotion of digital ownership since the launch of UltraViolet. ![]() Movies Anywhere a Good Next Step, But Some Digital Ownership Holes Remain Nominations are now open for the 2018 awards. The DEG also recognized three scholarship recipients with the Hedy Lamarr Achievement Award for Emerging Leaders in Entertainment Technology: Johanna Baumann of the University of Michigan Carolyn DiLoreto of USC and Cherylynn Lima of Smith College. “I am very confident in predicting that the percentage of female characters in TV and movies made for kids will dramatically improve within just a few years,” she said. The institute is using data analysis developed at the University of Southern California and funded by Google to quantify the disparity in treatment of females and males in children’s entertainment. She noted that “technology has become a huge part of my institute’s success.” “She was a pioneer and a patriot and a heroine.” “She was just so extraordinary and so incredible that I can hardly even begin to fill her shoes, so I am extremely humbled and grateful for this award. Davis is the founder and chair of the Geena Davis Institute on Gender in Media, which works to dramatically increase the percentage of female characters and reduce gender stereotyping in media targeting children 11 and under. 15 in Santa Monica, Calif., the group presented the inaugural Hedy Lamarr Award for Innovation in Entertainment Technology to Geena Davis. To honor her, DEG: The Digital Entertainment group created an award to recognize and commemorate female industry leaders, and Nov. Hollywood legend Hedy Lamarr not only starred in such film classics as Samson and Delilah, The Strange Woman and Tortilla Flat, but she was also a lifelong inventor who pioneered “frequency hopping,” which became the foundation for technology utilized by the cell phones we carry daily, among other things. In a month that saw such depressing news about women’s plight in Hollywood (and indeed in many other arenas), it was gratifying to attend an event inspired by one of the most brilliant women to ever grace the screen. Warner Archive’s new Hell on Frisco Bay Blu-ray has two things going for it beyond a decent dose of cosmetic handsomeness and a robust mono soundtrack: its recent rareness and a terrific Edward G. Robinson, Joanne Dru, Paul Stewart, William Demarest.ġ956. The appeal of the story of this Frank Capra gamble of love is one of emotion over mind, as a British diplomat and an eclectic group of fellow passengers crash-land in reachable distance from a living paradise whose name the movie and James Hilton’s source novel put into the language: Shangri-La.Įxtras: Includes a commentary from the 1999 DVD edition. ![]() Stars Ronald Colman, Jane Wyatt, Thomas Mitchell, Edward Everett Horton, John Howard.ġ937. Sony Pictures, Romantic Fantasy Adventure Drama, $19.99 Blu-ray, NR.
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